Something bothers me about Disney’s The Lion King. Now, some
of you may be outraged by what I am about to say. You may scoff at me. As I
read the words below, I can feel your probable scoffing even now. But bear with
me, as I do have a point.
Toward the end of the movie, when Scar is running things,
the implication is that everyone except he and his cronies are miserable. He’s
ruined the natural resources of the kingdom and forces the lionesses to hunt
constantly. Obviously we’re meant to think of him as a selfish tyrant (as
opposed to a good king, like Mufasa was or Simba will be).
But here is the problem: Obviously, none of the animals in
the kingdom are animals, but people that look like animals. There is no reason
to distinguish between them. The lions talk and have thoughts and feelings, and
so do the monkeys and the birds. So, when Scar is ordering the lionesses
(including the queen) to go hunt, he is ordering them to go and murder the
subjects of the kingdom and drag their dead bodies back for food. Of course,
put this way, Scar is confirmed to be a horrible monster. But, so are queen
Sarabi and the rest of the lionesses. They are oppressed and unhappy under
Scar’s rule, but they certainly don’t seem to be suffering the mental anguish
one would hope goes along with becoming a serial murderer and cannibal under
duress.
It's clear who's lunch at this picnic. |
And it is pretty clear why they are not disturbed in this
way: things can’t have been substantially different when Mufasa was king. They
are lions. They are carnivores. They eat meat, which comes from animals. So,
Scar may have been going about it in an “unsustainable” way (why all the trees
are dead escapes me, but clearly the artistic implication is that he is
mismanaging things), but Mufasa must also have had a policy of systematic
murder and cannibalism because, while they are lions, they are also people,
just like their prey.
It is this symbolic incongruity that disturbs me. Of course,
treated metaphorically, a person who is a lion is not out of the question. And
if I call someone a lion I am certainly not implying that he has all the qualities of a lion. I probably
mean that he is courageous, strong, aggressive, and other commendable masculine
qualities.
However, if I were to say that some particular king is a
lion of a man, and then that his people are like gazelles, I have very
definitely applied the flesh eating quality of the lion to the man, and at the
same time I’ve applied personal qualities to his food. The Lion King does the
same thing.
And why does it do it? What motivates movie makers and
story-tellers in general to anthropomorphize animals? I suppose it might be
awkward if a human being that looked like a human being sang a catchy tune
about murdering his brother and usurping his kingdom. But, on the other hand,
isn’t that an odd thing to sing a catchy song about? Done correctly, that might
be a good movie of a morbid, ironic mood. But make them talking cartoon
animals, and the morbidity seems lost on everyone.
This point is important, because the only alternative to
noticing it is ignoring it, and if we ignore it and teach our children to
ignore it, then they might continue to ignore it when actual rulers do eat their subjects.
© 2013 John Hiner III
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John, this amused me, because I had very similar thoughts about this movie in particular. In many other stories with anthropomorphic animals, like the awesome Mouse Guard, their kingdoms exist inside their species and possibly species with similar goals (herbivores working together) . Not so in the Lion King, and it forces the viewer to basically pretend they do not notice. In the animal story, the rulers can 'cull' off some of their citizens while still being the 'good guys'. However in a human lead story, like the Hunger Games, the rulers are clearly 'bad guys' for using similar tactics. In the Lion King, if your an antelope being eaten, its as though you would just lean back and say "oh well, I guess its my turn to take one for the team, thank you lion over lords"
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