So in part 1, we discussed the human sense of wonder as an
aspect of our attraction to “magic”.
Today we will discuss something else universally attractive to humans:
power!
Power is simply the ability to act. The desire for it is so obvious
and universal that those who encourage us to act morally warn us against
seeking it (for itself, for the wrong reasons, etc.) apparently without ever
even considering that it might not be attractive. They do this with good
reason, because it is attractive, and important, and dangerous.
What do these arcane runes mean?(1) |
Consider every possession of yours and everything you've ever learned. I’m confident that most (if not ALL) of those
things could be
accurately characterized as things that make you powerful, or that are
beautiful (i.e. worthwhile in themselves).
Obviously, the concept of magic in pop-culture is a means of accomplishing
things; it is a kind of power. And we find it attractive because we are
attracted to power. Now, if we’re going to defend this aspect of the concept of
magic, we’re going to have to answer a good question the prosecutors of pop-culture
have for us: what good is there in stoking people’s innate desire for power
with unattainable fantasy, especially when power so often leads to corruption
and wrong-doing in the first place?
This is a good question because the problem is real. In the
last article I mentioned vain and ultimately unsatisfying engagement with
things. If people can trap themselves like that because of a desire for the
wonderful, they can do it with a desire for power. Someone who feels trapped
and impotent (because they are) needs to be free and powerful (in the right
way) to be happy, and they will not become happy by pretending to be powerful,
or watching others do so.
But, the answer is that what people do by depicting power in
works of art (magical or otherwise) is a natural extension of thinking about
what to do and being able to do it in general. In a certain sense, every
real-life aspiration to accomplish something big is a little fantasy involving
magical powers. When you imagine attaining something you've only begun (or
haven’t yet begun) to work for, you skip over the details of accomplishing it
and look at the end result; “Abracadabra!” And what you desire appears. The
problem suggested by the prosecution is really an unavoidable problem, because
it’s the problem of getting off your butt and doing something rather than just
thinking about it. So, while magical power in fiction does represent a
temptation, the temptation is present anyway, and the fiction might even help
to solve it.
Magic is analogous to real power, like it’s analogous to
real wonder, only perhaps more effectively because our experience of power is
often rather magical; not only in the case of imagining our own aspirations,
but also when looking at other people’s capacities.
The word wizard, in its roots, just comes from the word wise
which, bluntly put, means knowing the right stuff in the right way. And when
someone else knows stuff we don’t, and displays that knowledge, they appear
magical (or at least powerful and wonderful. See what I did there?)
Magic is analogous to power (or capacity) itself, focusing on the ability to
accomplish things rather than on the means by which they are accomplished
(although most depictions of magic include the hint that the wizard required
study and hard work – or innate capacity – to do what he does). So, not only
does this give us the opportunity to reflect on the benefits of knowledge and
power, but also gives us a metaphor for the capacity we see in other people
(“Pinball Wizard” has a much better ring to it than “guy who is surprisingly
and exceptionally good at pinball”).
I don’t mean to say here that depictions of magic are always
helpful or good (even for merely reflecting
on the nature and desirability of power); often they are misleading or
vain. But, the concept is not without merit, and really reflects a very natural
part of our experience. We just need to avoid being deluded – which we had to
do anyway.
© 2013 John Hiner III
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